ANNJULEE creates objects first.

Jewelry became the first form they took.

The work begins with what is seen everywhere — a fragment, a surface, a line, a color, a shape found almost by accident. A rare object can hold as much interest as an ordinary one. There is no hierarchy. What matters is tension, proportion, and the way an object enters a silhouette.

ANNJULEE looks at the world this way: instinctively, but with precision. A street detail, a museum object, a piece of plastic, a block of resin, a forgotten form — all of it can become a starting point.

The studio began with jewelry because it came naturally as a first expression: something worn close to the body, something immediate. But these pieces were never thought of as secondary.

They are objects that define an allure, interrupt a silhouette, and shift the balance of what is worn. Each piece is developed in Paris and produced in small series. Resin is cast by hand, worked for its depth, clarity, density, or color. Slight variations remain from one piece to another and are kept as part of the process.

Jewelry is where the language began, but not where it ends. The same attention to form, material, and attitude is intended to move across a wider wardrobe over time.

ANNJULEE is drawn to forms that are simple, direct, and slightly unexpected — objects that hold both rigor and play. What is worn should not simply complete a look. It can mark it.